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Motion Pictures Topics- 1.85:1 ratio
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- DPX file format
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- DVD
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- Establishing shot
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- Final Cut Pro
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- Flatbed editor
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- Focus puller
- Focusing screen
- Foley artist
- Follow focus
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- Frame composition
- Frame rate
- Frazier lens
- Freeze frame shot
- French hours
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- Fresnel lens
- F-stop
- Full frame
- Full shot
- Gaffer
- Garbage matte
- Genie Award
- Genre film theory
- Genres
- German Expressionism
- Gobo (lighting)
- Go motion
- Godspot effect
- Golden Globe Awards
- Greatest films
- Greenlight
- Grip
- Hairy arm
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- Heart wipe
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- High Definition
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- History of cinema
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- Hollywood North
- Hollywood Reporter
- Home video
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- IATSE
- Image processing
- IMAX
- iMovie
- In-camera effects
- Independent film
- Insert
- Intellectual montage
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- Intertitle
- Iris-in/ Iris-out
- Italian neorealism
- Jaggies
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- Jump cut
- Key costumer
- Key grip
- Key light
- Keying (graphics)
- Keykode
- Kinemacolor
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- Kuleshov Effect
- L cut (split edit)
- LCD shutter glasses
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- Light meter
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- Light technician
- Lighting
- Lighting design
- LightWave
- Lightworks
- Limato, Ed
- Line producer
- Linear filter
- Linear timecode
- Linear video editing
- Lip flap
- Lipstick camera
- Location
- Location manager
- Location shooting
- Log line
- Long shot
- Long take
- Low-angle shot
- Low-key lighting
- Lucasfilm
- Lucasfilm Animation
- Luminaire
- Machinima
- Magic lantern
- Makeup artist
- Makeup call
- Marxist film theory
- Master shot
- Match cut
- Match moving
- Matrix wipe
- Matte
- Maya
- Medieval film
- Medium shot
- Medium-long shot
- Method acting
- Method filmmaking
- Metro-Goldwyn-Mayer
- Microphone
- Microphone boom
- Mid shot
- MIDI timecode
- Mini35
- Mise en scene
- Mixing console
- Mockumentary
- Montage
- Mood lighting
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- Motion capture
- Motion picture
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- Moving light
- Moviola
- Multicamera setup
- Multiplane camera
- Music editor
- Music supervisor
- Musical film
- Narrative film
- Narrativity
- Negative cutting
- Neo-noir
- Neorealism
- New Queer Cinema
- Newsreel
- Night for day
- Night for night
- Nitrocellulose
- Noise reduction
- Non-diegetic insert
- Non-linear editing
- Normal lens
- Oblique camera angle
- Offline editing
- On Location
- Online editing
- OpenEXR
- Opening credits
- Optical composition
- Optical effects
- Optical printer
- Optical zoom
- Outtake
- Overlap
- Pan and scan
- Pan shot
- Panavision
- Panchromatic
- PAR light
- Paramount Pictures
- Performance capture
- Phi phenomenon
- Photographic film
- Photographic lens
- Photometry
- Pinnacle Studio
- Pinscreen animation
- Pitch
- Pixar
- Pixilation
- Plano-convex
- Point of view shot
- Pool hall lighting
- Pop filter
- Pornographic movie
- Post-production
- PowerAnimator
- Practical effects
- Practical lighting
- Praxinoscope
- Pre-production
- Producer
- Production assistant
- Production Code
- Production company
- Production designer
- Production sets
- Production values
- Progressive scan
- Propaganda film
- Prop
- Property master
- Publicist
- Rack focus
- Raster image
- Reaction shot
- Read-through
- Recording mixer
- Redress
- Reflected light
- Refractive index
- Reframing
- Remake
- Rembrandt lighting
- Rendering
- Re-recording mixer
- Retrofocus
- Reversal film
- Reverse-angle shot
- RGB color model
- Rostrum camera
- Rotary disc shutter
- Rotoscoping
- Rough cut
- Rule of thirds
- Rushes
- Rushes log
- Scene axis
- Scene lighting
- Scoop lights
- Screen Actors Guild
- Screen direction
- Screen test
- Screenplay
- Screenwriter
- Screenwriting
- Screenwriting credit
- Scrim (lighting)
- Script
- Script breakdown
- Script doctor
- Script Supervisor
- Second unit
- Secondary animation
- Sellmeier equation
- Sequence (film)
- Sequence shot
- Serial
- Set construction
- Set costumer
- Set decorator
- Set dresser
- Shake (software)
- Shallow focus
- Shaw Brothers Studio
- Shelved
- Shooting ratio
- Shooting script
- Short film
- Shot (film)
- Shot reverse shot
- Shutter angle
- Shutter speed
- Silent film
- Simultaneous release
- Single camera setup
- Skywalker Sound
- Slit-scan
- Slow cutting
- Slow motion
- SMPTE
- SMPTE color bars
- SMPTE time code
- Snoot (lighting)
- Soft light
- Sony Pictures
- Sony Vegas
- Sound designer
- Sound dissolve
- Sound editor
- Sound effects
- Sound effects editor
- Sound engineer
- Sound mix
- Sound recording
- Sound stage
- Soundtrack
- Special effects
- Specular light
- Split screen
- Spotlight (lighting)
- Spydercam
- Stage combat
- Stage lighting
- Stand-in
- Standoff
- Star wipe
- Stereoscopy
- Stock footage
- Stop motion
- Stop trick
- Striplight
- Stunt work
- Sundance Institute
- Sungun lamp
- Superimpose
- Surround sound
- Swing gang
- Sync-coding
- Synchronizer
- Sync sound
- Talkies
- Talking head
- Tally light
- Technicolor
- Technirama
- Techniscope
- Telecine
- Teleconverter
- Telerecording
- Television movie
- Tessar formula
- Test screening
- Three-point lighting
- Tight shot
- Tilt
- Time-lapse
- Title sequence
- Top grossing movie
- Tracking shot
- Trailer
- Transition focus
- Transitional effect
- Treatment
- Trilogy
- Trucking shot
- Two-shot
- Undercranking
- Universal Studios
- Utilitarian lighting
- Variety
- Venice Film Festival
- Video
- Video assist
- Video tap
- Viewfinder
- Vignetting
- VistaVision
- Visual effects
- Vitascope
- Voice actor
- Walla
- Walt Disney Company
- Wardrobe attendant
- Wardrobe design
- Wardrobe designer
- Warner Brothers
- Wide-angle lens
- Widelux
- Widescreen
- Wipe
- Wire frame model
- Wire removal
- Wireless microphone
- Workprint
- Xenon arc lamp
- Xenon flash lamp
- X-rated
- Zeiss formula
- Zeiss Tessar lens
- Zen filmmaking
- Zoetrope
- Zoom lens
- Zoopraxiscope
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Film is a term that encompasses motion pictures as individual projects, as well as — in metonymy the field in general. The origin of the name comes from the fact that photographic film (also called filmstock) has historically been the primary medium for recording and displaying motion pictures. Many other terms exist motion pictures (or just pictures or 'picture'), the silver screen, photoplays, the cinema, picture shows, flicks and commonly movies.
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